Her body was cremated at Putney Vale Crematorium. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. Margaret Lockwood lived at 18a Highland Rd, London. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019). For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Italia Conti Drama School. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. 1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. Was a committed teetotaller all her life and detested the taste of Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. Lockwood had the most significant success of her career to date with the title role in The Wicked Lady (1945). In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. Cindy Crawford and other big names with facial moles. The Leons separated soon after her birth and were divorced in 1950. For Rowland, it all began with putting a dot of black Duo lash glue on her face. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. [5][6][7] This was at 4,000 a year.[8]. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). However, her best-remembered performances came in two classic Gainsborough period dramas. A Place of One's Own (1945) - Turner Classic Movies [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Ive been pretty lonely at times.. The sadomasochistic elements ofLeslie Arlisss film in which Lockwoods character is sexually commandeered and eventually raped by Masons lord were 50 shades stronger than 2015s most ballyhooed eroticdrama. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. Lockwood died from cirrhosis of the liver at the age of 73 in London. You canbe born with one, or you can develop one at a later point in your life. Listing for: Sport Clips - Stylist - CA519. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. She wouldn't have been the only one to fake it, though. Lockwood was well established as a middle-tier name. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. Before long, mouches made their way into politics. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. We celebrate one of the Britains biggest film stars of the 1940s. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Contents 1 Plot 2 Cast 3 Production 4 Reception England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. Julia Lockwood with her mother, Margaret, in 1980. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. This is partially dictated by Hollywood's elite. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Still, our work isn't quite done yet. Actress: The Lady Vanishes. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Privacy Policy. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. And I loved it. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. A Margaret Lockwood performance was apparently the inspiration for Sean Pertwee's death scene in the 2002 film Dog Soldiers. Overview Collection Information. And even if that new mole is fine today, that doesn't mean it will be tomorrow. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. Margaret Lockwood Photos and Premium High Res Pictures - Getty Images To use social login you have to agree with the storage and handling of your data by this website. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. ", Even by the mid-1800s, not everyone had opened their minds likePepys. It was nerve wracking to have to find that now that I live in Fullerton. As such, the shape, color, and even texture can vary. 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. It was one of a series of films made by Gaumont aimed at the US market. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. It was one of the cycle of Gainsborough Melodramas . Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. Imagine the awkwardness of having a real beauty mark during this period in history? Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. [17][18], Lockwood returned to Britain in June 1939. her flawless complexion - enhanced by a beauty-spot! She followed it with Irish for Luck (1936) and The Street Singer (1937). Lockwood discusses her upbringing in a Boston area Irish family and her early . Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. Oral history interview with Margaret N. Lockwood, 1992 Aug. 27 and Sept As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. The Leons separated soon after her birth and were divorced in 1950. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). What a time to have been alive. [40][41] It was not popular. She The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Margaret Lockwood | British actress (1916-90) - Silver Sirens Rex Harrison was the male star. Your email address will not be published. With the drama picture Bank Holiday, she created a reputation for herself. The Wicked Lady [1945] / Bank Holiday [1938] - Amazon A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. This is partially dictated by Hollywood's elite. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. A free trial, then 4.99/month or 49/year. She returned to Britain to live in Somerset in 2007. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. Whether or not your beauty mark is also a birthmark, romanticist William Shakespeare would've so been into it. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. I dont believe in raising an only child. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. In the postwar years, Lockwoods popularity fell out of favor. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. Job in Fullerton - Orange County - CA California - USA , 92835. Release Date: 21 December 1946 (USA) Aspect Ratio: 1.37 : 1. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. If so, please share it with your friends and family to help spread the word. she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. Gasp! She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career.
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